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The Gardner Heist: The True Story of the World's Largest Unsolved Art Theft, by Ulrich Boser
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Review
“Boser has produced a captivating portrait of the world’s biggest unsolved art theft.” (Wall Street Journal)“A vivid portrait of the high-stakes world of art crime.” (Lisa Ko, author of The Leavers)“Ulrich Boser presents his solution to the [Gardner] mystery.” (Washington Post)“Boser cracks the cold case of the art world’s greatest unsolved mystery.” (Vanity Fair)“In The Gardner Heist, author Ulrich Boser offers a tantalizing whodunit as he embarks on an exhaustive search for the stolen masterpieces.” (Boston Globe)“The book is a thrill.” (The Guardian)“Now we read this. It looks like the largest theft since the Devil Rays took what should have been the Red Sox’s 2008 American League championship. I don’t know if those paintings ended up on eBay, but I do know they’re not on my walls.” (Senator John Kerry)“Boser’s rousing account of his years spent collecting clues large and small is entertaining enough to make readers almost forget that, after 18 years, the paintings have still not been found.” (Publishers Weekly)“Boser poetically contrasts the burning, almost unnatural desire art lovers feel for paintings with the cold reality that art theft is one of the easiest and most lucrative types of crime.” (Kirkus Reviews)“Artfully done... Grade: A Minus.” (Boston Herald)
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About the Author
Ulrich Boser has written for the New York Times, the Washington Post, Smithsonian magazine, Slate, and many other publications. He has served as a contributing editor at U.S. News and World Report and is the founding editor of The Open Case, a crime magazine and web community. He lives in Washington, D.C.
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Product details
Paperback: 260 pages
Publisher: Harper Paperbacks; unknown edition (March 16, 2010)
Language: English
ISBN-10: 0061451843
ISBN-13: 978-0061451843
Product Dimensions:
5.3 x 0.6 x 8 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
197 customer reviews
Amazon Best Sellers Rank:
#69,285 in Books (See Top 100 in Books)
The largest unsolved art heist in history happened at the Isabella Stewart Gardner Museum in Boston in 1990. Two men stole twelve works of art including a Vermeer and several Rembrandts. They ripped and cut paintings out of frames, and the lot has never been found. Boser's book sets out to try and find out what happened to the missing art. The result is an intriguing look at art detection and the Boston criminal underworld. The methods art detectives use to recover works are often unorthodox. Detectives have to maintain a network of surly underworld contacts.This book was tremendously interesting. It is also somewhat depressing. It's frightening just how many works of art are stolen, and how poorly protected most museums are. Boser points out that many of us would like to believe that when artworks are stolen they are secreted away to private collections. In fact, that is almost never the case. Stolen art most frequently becomes currency in the criminal world, providing collateral for all sorts of unsavory underworld activities. Drugs, weapons, the mafia: stolen art funds all of them. Thieves are rarely punished because the most important objective for the art detective is to get priceless works back into museums.Boser does not ever recover any of the stolen works, but his journey is fascinating. I learned a great deal about art theft and recovery, and how the criminal world uses priceless works of art. Anyone with an interest in art or crime would enjoy this book.
This book starts off very interesting. If you are an art afficiando you've heard of the Gardner museum heist, but you won't learn anything here. I've read a dozen or more magazine and news articles about the case over the years and this author really offered nothing new. That, and the fact that this book is nearly 10 years old means that the info it contains is just outdated. One glaring example: the author spends chapters tying the heist to a famous Boston mobster who has since been captured and is now in prison. IF this gangster had ANYTHING to do with the heist, he would have bargained with the stolen artworks for a lighter sentence. He didn't, so, obviously, had nothing to do with the theft. I do have to say the beginning chapters discussing the world of art theft and recovery were quite informative.
The author did a ton of research and seamlessly interwoven with great story telling created a book that is hard to put down. I knew absolutely zilch about this crime or art museums heists' before reading this book, but throughout reading this I was constantly telling people about parts of this book because it was so full of fascinating information. Highly recommend this book.
The author did much research on actual mystery - involving a famous gallery. My background is in art,so, perhaps I found it more interesting than many people might. I particularly liked his recounting of some well-known art forgers and their work. It reinforced my long held conviction that I had NOT seen the authentic "Mona Lisa" but an excellent forgery. (No, I am not going to write a book - but if any body else feels the same, chime in). I saw herin January , 1976 - at the Louvre, of course. I felt the same way about a painting ascribed to Rembrandt - which waslater proved not to by his hand.
Caught the Gardner bug. The book was published in 2008 and the mystery has still not been solved. I find it hard to believe that the FBI never interviewed a witness that saw the two robbers that night or didn't interview the witness on a timely basis. A good resource for someone still hunting and hoping for the reward. Fascinating story real!y. I'd vote that David Turner was the culprit. I wish I could write the tell all story of his life!
I enjoyed this book as I am from Boston and have been going to that museum all of my life and know about all of the characters involved. It was very readable too, but somehow I was hoping for something more in the matter of "whodunnit".
Very good history of Isabella Stuart Gardner and the heist in 1990 of some of the best paintings at the museum. Went to visit the museum in Boston and read the book first the get the feel.
As an Art History student interested in the role of plunder in recent history, it was a great read. However I can understand how this could be a little bit boring as it is very dense. It does provide a very thorough insight into the heist though and is a great read for anyone interested in such subjects.
A fine read that exposes the high end Art World, their security systems, and the priceless art itself to the general reader. This 1990 Heist took place in one of Boston's most loved museums which was poorly managed with a weak board of good hearted but clueless directors. I could only wonder why a museum filled with priceless art would so openly leave the art exposed and guarded by minimum wage security personnel who received little to no training and who had little interest in the masterpieces they were surrounded by. The characters introduced by the author are a colorful lot and added to the overall experience of reading this book.
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