Get Free Ebook The Flowers of Evil - Complete, 4

Get Free Ebook The Flowers of Evil - Complete, 4

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The Flowers of Evil - Complete, 4

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Review

“While Oshimi’s works are often disturbing and unsettling, they are rarely without positive endings and character redemption. This perhaps speaks to Oshimi’s motives in writing these bizarre, yet grounded horror stories. While our lives are fragile and not entirely our own, we have to make the best of them. In this way, Oshimi’s works are fable-like. By exploring the darker aspects of our world, he emphasizes the importance of perspective and the individual. The Flowers of Evil [is], in this sense, a classic coming-of-age tale.” — ComicsVerse

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About the Author

Only in his mid-thirties, Shuzo Oshima is already considered a seasoned veteran of the Japanese comics community. Winner of the most important comics awards for newcomers, the Tetsuya Chiba Awad in 2001, Oshima has been penning quirky slice-of-life dramas now for over a decade for major manga publishers including Kodansha. After drawing nine series, Oshimi's star began to rise in 2008 with the release of his first hit, Drifting Net Cafe. This horror-themed homage to the legendary Kazu Umezzo work, Drifting Classroom, was adapted into a live-action series, and propelled Oshimi onto an international stage. He would soon reach new heights in 2009 with The Flowers of Evil. In 2010 and 2011, the property quietly landed on numerous must-read lists and helped revitalize the shonen genre.

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Product details

Series: Flowers of Evil (Book 4)

Paperback: 402 pages

Publisher: Vertical Comics (October 23, 2018)

Language: English

ISBN-10: 1945054743

ISBN-13: 978-1945054747

Product Dimensions:

6 x 1.5 x 8 inches

Shipping Weight: 13.9 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#69,281 in Books (See Top 100 in Books)

I've given the last 3 volumes of this 5 outta 5 stars and they deserved each one......not so much here. Though it does get major points for reducing it's price for the shorter length, that's greatly appreciated. It and a few other things are why it's a 4 not a 3This was honestly a big dissapointment of an ending. I dont want to spoil it but i kinda have to at least in broad strokes. So. Warning.....Crucial questions that have been building since the beginning are just, ignored. Or deliberatly tossed aside. Why did Nakamura pushed Kasuga when they were gonna kill themselves? She forgot........wow that uh, that pisses me off. You asked that several times and even on the back cover and there's no answer.You could argue that fits her, and it does admittedly. I could even accept that it IS a deliberate anti-climax, still dont like it....what i CANT accept is this...why is Nakamura better? Why? She's barely the same person anymore. Woulda liked to know how that went but nooo forget that.It also has zero punch after Nakamura shows up. Before then tons, in fact my big plus for this is it's excellent direction and panel placement/layout and it contributes to the tension. After that it's an entire volume length epilouge, which is just so saccrine and dull. You could fairly argue everyone has earned a happy ending, and that is true they did. But it's such a massive tone shift right at the end that's it's incredibaly destractingThe final chapter showing everything from Nakamura's perspective was artistically brilliant as Oshimi normally is and a decent insight to her, but still it was space that could have told us about her post festival which is far more interesting.Overall, despite my ranting, it's not awful. Just dissapointing.

The angsty teen melodrama comes to a satisfying ending. Loose ends are wrapped up and our hero grows into an adult. I initially was not sure I would enjoy this series but found myself ordering the next volume as soon as I finished the last. It reminds me of American fiction about bright, neurotic teenagers like 'Catcher in the Rye' or the movie 'David and Lisa."

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The Flowers of Evil - Complete, 4 PDF

The Flowers of Evil - Complete, 4 PDF

The Flowers of Evil - Complete, 4 PDF

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Free PDF Grand Hotel Abyss: The Lives of the Frankfurt School, by Stuart Jeffries

Free PDF Grand Hotel Abyss: The Lives of the Frankfurt School, by Stuart Jeffries

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Grand Hotel Abyss: The Lives of the Frankfurt School, by Stuart Jeffries

Free PDF Grand Hotel Abyss: The Lives of the Frankfurt School, by Stuart Jeffries

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Review

“Marvellously entertaining, exciting and informative.” —John Banville, Guardian (“Best Books of 2016”)“An engaging and accessible history of the lives and main ideas of the leading thinkers of the Frankfurt School.”—New York Review of Books “This seemingly daunting book turned out to be an exhilarating page-turner … Grand Hotel Abyss is an outstanding critical introduction to some of the most fertile, and still relevant, thinkers of the 20th century.” —Michael Dirda, Washington Post“Stuart Jeffries has produced a compelling and politically pressing group portrait of the philosophers associated with the Frankfurt School. Their thinking has never seemed less forbidding and more inspiring.”—Matthew Beaumont, author of Nightwalking “Stuart Jeffries’s intelligent, accessible new book reminds us of the value of critical thinking.” —Globe and Mail “A fractious Europe, a failing currency, a challenged economy, populist parties on the rise, a divided left, migration from the east, an atmosphere of fear combined with social and sexual liberalism. The parallels between Britain today and Germany in the 1920s may well make this a compelling moment to revisit those postwar German thinkers who gathered in what was known as the Frankfurt school for social research—something akin to a Marxist thinktank, though one whose policy papers and brilliant books fed future generations as much or more than their own … Little wonder, given the history of the 20th century, that the Frankfurt school gave us intellectual pessimism and negative dialectics. Jeffries’s biography is proof that such a legacy can be invigorating.” —Lisa Appignanesi, Observer “There is much to provoke interest and thought, even entertain, in Jeffries’ informative account of a group of highly intelligent observers and analysts of the imprisonment of humanity, both socially and individually by the corrosive system under which it suffers.” —Morning Star “Attempts something rather daring … An easily accessible, funny history of one of the more formidable intellectual movements of the twentieth century … an easy, witty, pacy read.” —Owen Hatherley, Guardian“Jeffries moves swiftly across the decades, retracing the jagged paths from the official founding of the Institute for Social Research in Frankfurt in June 1924, through its years in exile in New York in the ’30s and Los Angeles in the ’40s and its hasty return to Frankfurt in the early postwar years, up to the work of Horkheimer and Adorno’s prized protégé Jürgen Habermas and the Institute’s legacy today.” −Noah Isenberg, Bookforum “Throughout the book, Jeffries demonstrates that he is comfortable and conversant with the often thorny philosophical ideas of his subjects. A rich, intellectually meaty history.”—Kirkus “An impressive work of popular intellectual history.” —Open Letters Monthly “Intriguing and provocative … Jeffries has done a great service in producing such a readable, wry and detailed introduction.” —Stuart Kelly, The Scotsman “[Gives] a step by step insight into what they thought … A lot of that stuff they wrote about still applies.” —Jason Williamson (Sleaford Mods), Guardian “Equally sympathetic and critical, this book is sure to gain an enthusiastic reception from academics, armchair philosophers, and fellow travelers.” —Library Journal “A towering work of staggering scholarship.”—Irish Times “A valuable introduction to the lives and ideas of an influential group of twentieth century philosophers. I recommend it to anyone who wants to understand why much of what passed for radical thought in academia in the late twentieth century was so obscure and depressing.” —Ian Angus, Climate & Capitalism“Humanises some of the most austere, (philosophically) negative, and intellectually intimidating thinkers of the past century … Jeffries draws out the intense and evolving relationship between these idiosyncratic theorists and their work, and eloquently illuminates the extent to which crude contingency shaped their philosophies and output. Jeffries succeeds in making this a truly personal, truly human illumination, be it presenting Marcuse’s letters addressing Adorno ‘dear Teddy,’ or Adorno signing off his missives to his parents affectionately, with ‘heartiest kisses from your Hippo King.’”—Neal Harris,Marx & Philosophy Review of Books

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About the Author

Stuart Jeffries worked for the Guardian for twenty years and has written for many media outlets including the Financial Times and Psychologies. He is based in London.

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Product details

Hardcover: 448 pages

Publisher: Verso (September 20, 2016)

Language: English

ISBN-10: 9781784785680

ISBN-13: 978-1784785680

ASIN: 1784785687

Product Dimensions:

6.5 x 1.6 x 9.5 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#428,466 in Books (See Top 100 in Books)

The Frankfurt School of Philosophy started out during the early days of the Weimar Republic as a Marxist research institute, initially established to answer the question why the German proletariat failed to effect a successful Marxist revolution after World War I. This weighty question seemed an unexplainable enigma to the founding luminaries of what had been nicknamed Café Marx, mainly Benjamin, Adorna, and Horkheimer, joined later by Erich Fromm and Marcuse. In order to grapple with this extremely difficult problem, the Frankfurt School developed the Critical Method, which used multidisciplinary approach (philosophy, economics, psychology, sociology, art) trying to look into phenomena that had not been considered "proper" by previous and contemporary other philosophers. This enigma was later replaced by even a larger enigma. Namely, why capitalism failed to self-destruct, as had been postulated by Marx. That second enigma has hardly been settled when another philosophical critical question arose – How civilized nation like Germany slid into the unprecedented nightmare of Holocaust, while nominally socialist/communist regimes of USSR and China, devolved into mass terror against their own populations. Little wonder that Adorna and Horkheimer had no truck with the students' revolt of the sixties, where only Marcuse managed to proudly float on the revolutionary coattails of the New Left. The Frankfurt School consensus (albeit softened by Fromm and the later director, Habermas) seemed to be that all evil proceeds from capitalism, which uses similar though subtler methods than totalitarian communism and Nazism. The worst sin of capitalism (as seen by the Frankfurt School) was material advancement of the capitalist world that gave people the soporific outlet of continuous pursuit of material unnecessary goods and immaterial mass culture cheapened to a popular but worthless product.At this point one has to make two decisions about this book: How well is it written, and how important is Mr. Jeffries book for understanding the Frankfurt School, the Critical Method, and their importance to our current and (possibly) future problems. It is also difficult to disconnect the two questions, as the importance of the Frankfurt School prejudges the importance of the book about its evolution.Generally, Mr. Jeffries does quite well – his writing is fluid, coherent, interesting, and learned, yet he mostly (but not quite) manages to impart his knowledge to a layman like me. Unfortunately, the objective value of this book seems to me rather low. To the innocent bystander the Frankfurt School seems to have been run by a bunch of spoiled kids that refused to consider any alternative interpretation of history. Their disenchantment with the vanishing proletariat appears to be at least paternalistic, as the statement that people have been fooled by capitalism to feel themselves free while in reality they are slaves of the system. ONLY the Frankfurt School luminaries have been intelligent, perceptive, and clairvoyant enough to see through this subterfuge. The second objection pertains to the method itself. They were trying to established something equivalent to the unified field theory in physics, i.e. a set of precepts that will explain EVERYTHING (in Marxist terms, obviously). No wonder they have failed. Their current position in the academic world owes more to the beliefs of the post-modern faculty than to their intrinsic contribution as philosophers.

I have been interested in the Frankfurt School for a long time. Adorno, Benjamin, and Marcuse are thinkers not just important to the left, but to anyone interested in the history of twentieth century thought. The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950 (Weimar and Now: German Cultural Criticism) has long been the best overview of the scholarship produced by these remarkable intellectuals. Jeffries has written an essential new overview of the Frankfurt School. First off the writing is excellent, and I don't believe the sophistication of the ideas is dumbed down at all through Jeffries' accessible and entertaining presentation. (However, I would have to defer to people smarter than me on that score). What I can definitely say is that if you have any interest the Frankfurt School thinkers I can't imagine you won't find this book incredibly stimulating and enlightening. Jeffries' presentation brought a great deal of clarity to issues that previously confused me, such as Adorno's conception of the "negative dialectic." This book has already helped me to better understand references to Frankfurt School debates in other books and articles. It is a first class synthesis of the work of some very provocative thinkers.

For Rulers: Priming Political Leaders for Saving Humanity from ItselfThis is an outstanding presentation of the Frankfurt School and the evolution of the thinking of its main heroes, including Theodor W. Adorno, Walter Benjamin, Erich Fromm, Max Horkheimer, Herbert Marcuse, Franz Neumann, and – one generation later -- Jürger Habermas. Shorter comments on intellectual partners, such as Bertolt Brecht, complete the emerging picture.With minor exceptions, theses thinkers avoided personal activism, provoking György Lukács to charge the members of the Frankfurt School with “taking up residence in what he called ‘the Grand Hotel Abyss.’ This beautiful hotel was, he wrote, equipped with every comfort, on the edge of an abyss, of nothingness, of absurdity… musing on the suffering of the world from a safe distance. ‘The daily contemplation of the abyss between excellent meals or artistic entertainments’, Lukács wrote sarcastically, can only heighten the enjoyment of the subtle comforts offered.… For Lukács, the Frankfurt School had abandoned the necessary connection between theory and praxis, where the latter means the realisation in action of the former” (p. 2).But Lukács was wrong. Taking some distance from “praxis” was, I think, essential for the high-quality thinking of the Frankfurt School. As Adorno put it “now was not the time for the easy posturing of action, but for the hard work of thinking… theory was not reactionary retreat into a Grand Hotel Abyss, but principled withdrawal into a fortress of thought, a citadel from which, periodically, radical jeremiads were issued” (p. 4). The Frankfurt School thinkers have a paradoxical and then harsh personal history, starting with dependence on money which their parents made as capitalist and continuing with escaping from Nazi Germany as refugees. This background is interestingly explored in the book, as is its impact on their reasoning.But, much more significantly, the thinking by the founding generation of the Frankfurt School, in Germany and in US exile, was shaped by five shocks, which demolished classical Marxism and much more:(1) The ease with which the proletarian supported World War One and much of German society supported Nazism. (2) Successes of Capitalism in eroding the proletariat and, in effect, made it disappear in Western countries as a potentially revolutionary class. (3) Total failure of the enlightenment in preventing the horrors of genocide and in making “reason,” in the double meanings of Vernunft (critical reason) and Verstand (instrumental reason) into a reliable grounding of compelling norms (as attempted paradigmatically by Kant).(4) The Capitalist “commodification” of humans reinforced by the “culture industry.(5) Difficulties to overcome the pessimisms of Freud in his “Civilizations and Its Discontents” essay, including misgivings about the effects of “sexual liberation.” To these must be added the growing doubts of the second generation Frankfurt School superstar Habermas on the validity of his “public sphere” paradigm, based on his belief “that through rational communication we can overcome our biases, our egocentric and ethnocentric perspectives, come to a consensus or community of reason, and develop thereby what the American philosopher George Herbert Mead… called the ‘larger self’” (p. 358). But “(towards the end of his life) “what Habermas wanted to tell us about secular reason, which he had spent most of his career extolling, and indeed about the modern secular state, was that both lack what religious authority offers the faithful – not just salvation but, he argued, virtuous lives”) p. 379).I agree that “the Frankfurt School still have much to teach us – not least about the impossibility and the necessity of thinking differently” (p. 392). This is all the more a fateful necessity taking into account emerging science and technology, which are sure to make it quite easy to end the existence of Homo sapiens as a species.Till then we should take to heart the observation that “Anybody in this culture who watches the news and can be happy – there’s something wrong with them (p. 387). To learn to share this conclusion and struggle with its implications – pondering this book is strongly recommended.Professor Yehezkel Dror

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Free PDF , by Jeff Wheeler

Free PDF , by Jeff Wheeler

Sometimes, individuals might believe that analysis will certainly be so trendy and also remarkable. Moreover, individuals who are reading are thought about as an extremely smart people. Is that right? Maybe! One that can be born in mind is that checking out routine does not only do by the clever people. Many of smart people likewise really feel careless to read, additionally to review , By Jeff Wheeler It's seemly that people who have reading habit have various individuality.

, by Jeff Wheeler

Free PDF , by Jeff Wheeler

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Product details

File Size: 3604 KB

Print Length: 402 pages

Publisher: 47North (September 15, 2015)

Publication Date: September 15, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00V1YIYG6

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Amazon Best Sellers Rank:

#3,447 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Jeff Wheeler did not disappoint in this wonderful book. Maia is the ancestor to Lia and Colvin. She is a princess whose mother has been banished because she cannot have anymore children by her father the king. He tries to marry someone else but he has been married in the maston tradition and cannot divorce his wife. When Maia's mother dies at Muirwood her father marries the new women he has had several children with and disowns Maia as the rightful heir. He sends her all over the country and when she is not treated badly by her stepmother she must go where her father sends her. She is turned into a hetera (Meduca qualities). She can kill someone with her kiss. She meets up with a stranger named Feint Collier who helps her get to a certain abbey. She ends up killing the Aldomaston of the abby and burning it down. He reveals himself as her betrothed prince when she was a child. He forces her to marry him and then makes her way to Muirwood to become a maston. So many twists and turns happen to her and Feint Collier. With the help of her grandmother who rescues her and makes a cipher of Muirwood she prepares to become a Maston. Her father is coming to the village outside of the abby for whitsinday and to replace the Aldomaston of Muirwood. A really good read can't wait for the next book. I highly recommend this book.

This book was a dramatic change from the first in this series and I was quite disappointed. After an exciting and dark beginning, the plot centers around monastic life, and the message seems to be quite naive and pedantic. The main character is overly devout and simplistic, making it difficult to relate to her. Wheeler's characters don't ring true for me--characters change basic parts of their personalities based on ill-defined "religious" experiences.

(some spoilage)I love humble beginnings for characters, and development over the course of books, so I could forgive Maia for being way too nice and forgiving of her father for a while. But this just got absurd.Putting a Hitler-like madman back on his throne, after everything he had done to her and his own population, is so far beyond ridiculous that it kills the series. You can't take her character seriously anymore, or the story.Nobody calls her out about the decision? Because she put her hand through a veil and brought forth a few helpers, suddenly she is some wise sage that everyone defers to, and no one questions?Dod is totally cool with it, even though the guy killed his family? "I'll just come along with you by myself and walk into the court of a king who wants me dead, this will go well."Collier was known to question how nice and overly kind she was, but when she does something a hundred times more ridiculous than anything she had ever previously done, he's just all warm and loving and supportive.The population wouldn't love and support her after something like that. She would be loathed as much as her father for supporting his reign.Lia comes bursting through space and time, and boldly proclaims before the battle that his reign is over and that he is not fit to rule, and then she hands the reigns over to Maia who just lets him go, and doesn't have a care in the world about it??You just can't even take her character seriously at all. Maia is absolutely useless. Crying, hugging, and touching other women and combing hair through the entire book. She has nothing going on for her, floundering around for two books while the medium, or some demon queen, acts through her.I'm off to read book 3, where I expect she will stumble around, terrified of everything, until the medium does something in the last few pages that bails her out, and fixes the world. A shame, because the books have a lot of creative stuff going for them. But the ending just kills everything.

Ciphers of Muir is an excellent book. Jeff Wheeler is very good at creating atmosphere, and he did that in spades here. The world is convincing, and at times you feel like you could go outside and walk around the world, it is that real.The characters are sympathetic, and each has their own passions and motivations. Maia and Collier seem to be star crossed, they have different goals in life and we have yet to see how all of that gets sorted out and resolved. And what is going on with the Kishion, I have no idea. I guess it all comes down to who is paying him and that is unclear. In that, this series is more successful than the first in this world, as I knew Lia was Ellowyn right off the bat. Where is Kishion plot is going to is a mystery.Okay, now for what I think could have been done better.Maia could be less meek. As a protagonist, I think it drags on the plot a bit.I wish we saw more of the world and less of Muirwood. It is a big world out there, and we should wander it a bit and explore it. There are people and discoveries we will not see behind the walls of Muirwood Abbey. Very little of the world in this book was new. And while it is well done, I think the book would benefit from more of a sense of wonder.To this point I am disappointed by the appearance of old friends, brief though it was. There are so many things that could have been done; I think Wheeler could have challenged himself a bit more at that point of the story.As far as the spirituality of the story, it too was well done and interesting how Wheeler’s beliefs were translated on the page. I know some readers are not of that faith, if they are of any faith at all. That should not detract from a good story. Princess Mononoke is a great movie, and I find the references to Shintoism fascinating. You don’t have to embrace the beliefs to embrace the story.Last thought is kudos to the publisher for bringing out a trilogy over months instead of years.

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